Tuesday 24 April 2012

Flipside of a Carpenter


Many children wish to run away with the circus, and Alex is no exception. Except he has gotten a taste and wishes he could have more.

He started with dancing, primarily jazz and tap. He then transitioned into acrobatics, and finally found his way into circus performing. Boy did he love circus performing. Alex Carpenter was only 12 years old when he had his first workshop. Six years on, he’s wishing he could go back, but unfortunately his commitment to full-time study just won’t allow it.
Alex curled up in his tissue in a performance.

He told me wistfully about all the different tricks he used to perform and events he got to attend. For example, the group, Flipside Circus, would go to a function and just ‘rove’ through the crowd in costume and do basic circus tricks, such as juggling and hand balancing. He also got to participate in many performances at bigger functions where they would get a set to perform with small groups each getting to do an act. These larger acts would usually have people unicycling, balancing and performing group acrobatics and juggling.

His favourite though, was the tissue. The tissue is when a long, ribbon-like apparatus is suspended from the ceiling and the acrobat performs tricks within it, fully suspended. Other such acts would use a hoop or trapeze. But nothing could compare to the tissue. Alex said he thoroughly enjoyed it because, “A lot of people who do the tissue are usually girls, where they will get into an almost contortionist position. But because I was a guy, I could focus a lot more of my performance on feats of strength and daring drops.” Even more, he added that he enjoyed coming up with his own tricks that would look incredibly dangerous and would involve a lot of falling movement.

To an amateur, such as myself, such an idea sounds terrifying. All I could think was, ‘What if you fell?’ Alex simply said. “I never did. Apart from one time…”

“One time, when I was climbing up nice and high during the middle of a performance, I fell. Usually in a drop you are wrapped in such a way that once you start the trick it doesn’t really matter what you do, because essentially you are tied into the tissue. But the trick I was doing was one that required you to grab the tissue at the last second as you were rolling, and if you didn’t get it, you kept going and unwrapped and fell. So, the wrap I was in didn’t hold and I fell down about five metres. I grabbed back onto the tissue as I was falling, but I kept sliding down all the way to the bottom. I was left with bloody hands and lots of skin clinging to the tissue. I didn’t have time to panic. Your body just realises your falling and kind of takes over.”
Alex jumping over fire
In all honesty, something like that would usually scare someone away, but he couldn’t wait to for his hands to heal so he could climb back up again!

Alex recalled his best memory of his time in the circus. He told me, “Probably my first successful solo act. It was just me on stage with the tissue and my routine.” The emotion was strong as he recalled the memory.  He seemed euphoric, yet at the same time sorrow seemed to creep over him. “It felt so good to have it all come together and have the crowd love it,” he added.

I started to realise that this was something that he would love to do forever if he had a chance, but now he was no longer able to even do it for leisure. The pain of having to let go now shadows his happiest memories.

Alex hanging from the tissue in a performance.
Clearly, it’s something that is very much a part of who he is as a person and he’s had to give it up for his study. I asked him if he thought he’d ever go back, to which he responded:

“I want to go back all the time. I loved it so much. But I don’t think I will. I think this is one of those things that life just does. Maybe, when I’m older, but not for the foreseeable future.” 


And in that moment, his eyes downcast, he seemed deflated. Being on top of the world, looking down on the crowd from high up in his tissue nest, was what made him the Alex Carpenter he is today. He claimed that he had lost a lot of his strength since discontinuing his circus ways; but he seems stronger for the experience of having to give it up.

Friday 20 April 2012

From the people, for the people

This week, in comparison to last, we looked at public media. The mission of public media is to serve the public. It is media in support of public and democratic processes.

So, very much opposed to commercial media, public media focuses on what we, the audience, are interested in and create media that would satisfy those interests. Money and profit is not the focus.

I personally do enjoy a good dose of public media over commercial media any day. Recently it was found the number one breakfast radio show listened to is ABC news radio! Why? Simply because there are no ads.



The confronting ads that plague you whenever you turn on the TV or radio is ridiculous, and all courtesy of commercial media.

Public media should have a 'public value'. The public value is defined by the BBC as:


  1. Embedding a 'public service ethos'. 
  2. Value for licence fee money
  3. Weighing public value vs. market impact
  4. Public consultation
Public media still requires it's own commercials to gain some profit to continue broadcasting. The below diagram demonstrates the ways in which the ABC manages this. 



The functions of public media are:

  • Nation building
  • National heritage
  • National identity
  • National conversations
Public media does have a tendency to be very serious and only shows very important matters. However, this comes across to viewers as being boring, elitist and out-of-touch. 

Public media is facing many challenges. Primarily is the ability to produce quality and relevant programs with the limited funding it receives. They must also engage with the democratic process, inform the public and be independent. All of which are making life in public media a great strain. 

While looking for more information on this topic, I came across what I believe is an American company called 'American Public Media'. There was a link to a game which allows you to control the American societies budget. I thought it was quite interesting, so you should check it out sometime. 

Wednesday 11 April 2012

Green eyed monster

This week the topic of commercial media was looked at. First, we compared commercial and public media.

Commercial media                                               vs.                               Public media
- Channel 9, 7, 10                                                                                   - ABC, SBS
- Go!, Gem, 7mate, 7two, one 11                                                           - ABC2, ABC3, ABCnews24
- Extra                                                                                                    - SBSTWO
- Foxtel, Austar
- News Limited, Fairfax Media, APN
- ARN, Austereo

Commercial media: Advertisers are the real customers of commercial media. 

So, commercial media is not to benefit us, the audience? Commercial media is driven by profit. It is non-government funded and relies on business success; it's business is generating audiences. How confusing. 



Commercial media uses Form & Function to generate audiences and bring in the big bucks.

Form = Commercial = Subscription, sponsorship and subsidies.
Function = Commercial, propaganda and social.

In a democratic society, commercial media must be truthful, comprehensive and intelligent. It must have an exchange of comment and criticism. It must be able to represent groups in society. It must clearly represent and clarify the goals and values of the society. It must have full access to the day's intelligence.

To keep it all under control, there are certain elements that are employed to monitor all of the above. They are:

  • Formal state requirements
  • Legal prescription
  • State oversight
  • Statutory 
  • Voluntary
To guarantee social-communication functions, there is an ethical wall between commercial and social. 
On the commercial side is advertising sales; on the social is editorials. Keeping this balance allows for peace within 'The Public Sphere' ((Jurgen Habermas) A space between commerce and government where  people can debate freely (and form public opinion).)

Commercial media is now facing new challenges, such as: 
  • Less revenue
  • Les investment
  • Les money for quality productions
  • More brought-in content
  • More US repeats
All of which leads to more repeats of US sitcoms and reality TV. 
What they NEED is quality, greater competition and to move existing customers to digital. 

A new interesting step for commercial media has recently come in the form of an online medium of news reports. This new websites utilises talented journalists all over the world and allows them the opportunity to write what they want. It's really quite an interesting site! 

Check it out here!

Monday 2 April 2012

Some of the funniest videos I have found

Just a few funny videos to brighten up your day!

First off, the Laddergoat guy! Seriously, it'll make event he grumpiest of us laugh.



This guy is known for demonstrating games online - and his crazy laugh at all things non-amusing. 


I really love that when he sees the goat again he just bursts into laughter xD The best part is it never stops being funny. The best part is to watch is up to 3:40

Next we have the classic 'Old Spice'. You can't beat those hilarious ads! 



And one more to brighten up your life, 

Isn't that one smart bird, eh? 


Coming to you live on the medium waveband

So today's lecture was an audio lecture. Quite different I must say! We listened to a radio broadcast of two interviews.

"Don't miss Simple Simon's Super Sunday Smashes. I'm Simon."


From the broadcast I picked up a few hints about stories for radio:
  • Make sure listeners are involved in the conversation (between presenters).
  • When interviewing, tease or joke to loosen them up a bit. 
  • Let the guests talk. 
  • Silence is powerful
"He's the sexiest man on the planet. Hardly ever speaks. Not even when he's broadcasting, which is interesting."






  • Ask questions????????????
  • Expose yourself to other opinions.
  • Communicate clearly
  • It's about the audience! 
  • Be real! 
  • Read the guest's body language. 
  • Be human
"Open your knees and feel the breeze, because Gavin's back to stay."




  • Find the full human experience
  • Talk less - listen more
  • Don't give up on trying to get where you want - it doesn't matter if you fail. 
All of these tips are really quite interesting, and show that radio broadcasting has a lot to do with audience interest. Unfortunately, while I was listening to the broadcast, I had trouble keeping my attention focused on what I was listening to. Radio is usually something I listen to while doing something else. For me, I can't seem to focus solely on just the sound without doing something else. For this reason, I found the broadcast lecture not the best way to learn. 
Perhaps this was due to the presenters not following a few of the above tips. Specifically, I didn't feel completely involved in the broadcast. It was a very closed interview for the most part. This is probably one of the reasons that I did not enjoy it so much. 
Usually, however, I quite enjoy listening to radio. Perhaps it was also due to it being compulsory listening? Who knows. 

"You are listening to Radio Rock and I'm the Count, and I'm counting on you as we count down to ecstasy and rock all day and all of the night."
As you can see from the above posted pictures, one of my favourite examples of good radio is from 'The Boat That Rocked'. I love the rebellion and the pure naughtiness of everything they do.

The censorship today has gotten so much better, but they just don't seem to get the same kicks out of things as they used to.

For example, just check out this awesome little clip from 'The Boat That Rocked'.
WARNING: COURSE LANGUAGE. NOT SUITABLE FOR MINORS.


The Boat That Rocked - The F-Word